Yooddooddoom: A narrative exploration of the camp and the sacred place, daily life, images, arranged stones and Lalai Beings

Janet Oobagooma, Kim Doohan, Leah Umbagai, Martin Porr

Research output: Contribution to journalArticle

Abstract

This paper seeks to explore ‘taking a narrative approach’ as a research methodology in the wider context of gaining a situated understanding of the ethnographic context of the Indigenous rock art of the northwest Kimberley. Its phenomenological approach is based on the recollections of a senior Woddordda woman when she was a child living a largely subsistence existence with her older kin. This glimpse into the ways these Indigenous people engaged with their rock art and interpreted it in their daily lives is a counterpoint to the predominantly archaeological study of this acclaimed tradition. The original presentation was located in Janet Oobagooma’s narration of her experiences and knowledge working with Kim Doohan whilst at the location along with the selection of images presented here. This was later followed by collaboration and negotiations with Martin Porr and Mrs Oobagooma’s granddaughter, Leah Umbagai. This paper is, in essence, a narrative of narrative-based research methods and subsequent findings.
Original languageEnglish
Pages (from-to)345-374
Number of pages30
JournalHunter Gatherer Research
Volume2
Issue number3
Publication statusPublished - 2016

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narrative
art
narration
research method
methodology
Sacred Place
Daily Life
experience
Rock Art
Research Methods
Ethnographic
Essence
Subsistence
Indigenous Peoples
Recollection
Counterpoint
Archaeology
Narration

Cite this

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Yooddooddoom: A narrative exploration of the camp and the sacred place, daily life, images, arranged stones and Lalai Beings. / Oobagooma, Janet; Doohan, Kim; Umbagai, Leah; Porr, Martin.

In: Hunter Gatherer Research, Vol. 2, No. 3, 2016, p. 345-374.

Research output: Contribution to journalArticle

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