« Art » de Yasmina Reza ou ‘l’immense vulnérabilité’ du masculin

Helene Jaccomard

doi:10.15122/isbn.978-2-406-07790-9

« Art » de Yasmina Reza ou ‘l’immense vulnérabilité’ du masculin

Translated title of the contribution: Yasmina Reza's art or the deep vulnerability of the masculine

Helene Jaccomard

School of Humanities Office

Research output: Contribution to journal › Article

Abstract

Three men in the play "Art" by Yasmina Reza Dans « Art » (1994), behave in the typical way described by French sociologist Pierre Bourdieu in La Domination masculine (1998). They compete with each other, putting a lot of energy in asserting their virility and investing into activities that prove their masculinity. A conflict, futile at first glance, puts their friendship in jeopardy, and signals the emergence of modernity, as a metaphore for the 'deep vulnerability' of the masculine analysed by Bourdieu.

Original language	French
Pages (from-to)	247-263
Journal	European Drama and Performance Studies
Volume	1
Issue number	10
DOIs	https://doi.org/10.15122/isbn.978-2-406-07790-9
Publication status	Published - 14 Mar 2018

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Jaccomard, H. (2018). « Art » de Yasmina Reza ou ‘l’immense vulnérabilité’ du masculin. European Drama and Performance Studies, 1(10), 247-263. https://doi.org/10.15122/isbn.978-2-406-07790-9

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