Abstract
Developments in the life sciences and biomedical technologies tend to use revolutionary rhetoric and the illusion of breaking free from hegemonic social constructions; however these constructions are inbuilt within the developments of these technologies, their interpretation and application. Through a series of historical and contemporary narratives the artists would like to push further the goalposts and look at the notion of the canonical bio-vessel – the Incubator – as a point of departure and “escape” from socially and human centric engrained discourses. Incubators not only serve as a rich, performative and provocative departure for stories about life and biopolitics, they also contest biological determinism and genohype, and are a place where the notion of life can be explored from the non-human perspective reflecting on past and contestable future scenarios. Here the artists explore narratives of the incubator both as a contraption of care/nurture and controlled life as well as a conceptual and biopolitical apparatus.
| Original language | English |
|---|---|
| Type | Artwork |
| Media of output | Mixed Media |
| Publisher | Kenpoku Art |
| Place of Publication | Japan |
| Publication status | Published - 2016 |
Fingerprint
Dive into the research topics of 'Vessels of Care and Control: Prototypes of Compostcubator and Hivecubator'. Together they form a unique fingerprint.Research output
- 2 Exhibition
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Vessels of Care & Control: Compostcubator 0.2
Zurr, I. (Artist) & Catts, O. (Artist), 28 Feb 2019Research output: Non-traditional research output › Exhibition › peer-review
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Vessels of Care and Control: Prototypes of Compustcubator 4
Zurr, I. (Artist), Catts, O. (Artist) & Ward, D. (Artist), 21 Mar 2019Research output: Non-traditional research output › Exhibition › peer-review
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