@inbook{7a97b76e7be849cdba26576fe61fe6b9,
title = "The King of Kings (DeMille Pictures, 1927): The body and the word on film",
abstract = "When The Artist, directed by Michel Hazanavicius, was released in 2011 to universal acclaim, it renewed some viewers{\textquoteright} faith in film to tell a story without the elaborate technological interventions that had come to be seen as essential to filmmaking in the twenty-first century. The Artist was silent, but for musical accompaniment, and in black and white with intertitles. It invited audiences to accept the illusion of experiencing film-going as it was in the beginning, in the silent world of light and dark.",
author = "Vivienne Westbrook",
year = "2016",
month = mar,
day = "31",
language = "English",
isbn = "9780415741699",
series = "Routledge Studies in Religion and Film",
publisher = "Routledge",
pages = "256--270",
editor = "David Shepherd",
booktitle = "The Silents of Jesus in the Cinema (1897-1927)",
address = "United States",
edition = "1",
}