Rock Art Modification and its Ritualized and Relational Contexts

Liam M Brady, Robert Gunn, Joakim Goldhahn

    Research output: Chapter in Book/Conference paperChapterpeer-review

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    Australia has some of the most complex and extensive examples of modified rock art (e.g., superimposed, re-painted, re-drawn, re-pecked) in the world. Typically used to document style-based chronological sequences and address questions of meaning and intention, less well known are the relational networks within which these ritual modification practices are embedded. In this article we explore the ritual rock art modification relationship to further highlight the value of a ritual-based approach to access and enhance understand­ ing of modified rock art. Central to this approach is the idea that modified motifs do not exist in isolation—their placement, the actions, rules, and structures linked to the modifi­ cation process, along with the surrounding landscape, are all part of relational networks that extend across multiple social and cultural realms. By identifying key themes associat­ ed with this ritual practice, we explore relational qualities to further understand the ritu­ al rock art relationship to broaden archaeological and ethnographic understanding of rock art.
    Original languageEnglish
    Title of host publicationOxford Handbook of the Archaeology of Indigenous Australia and New Guinea
    EditorsIan McNiven, Bruno David
    Place of PublicationUK
    PublisherOxford University Press
    Number of pages26
    ISBN (Electronic)9780190095628
    ISBN (Print)9780190095611
    Publication statusE-pub ahead of print - 2021


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