Abstract
The panegyrics of twelfth-century Byzantium, with their conventional images such as those of the sea, have tended to be disregarded due to a feeling that these images are both derivative and predictable. This is not to appreciate the dynamic interplay between the models from an idealised literary past and their twelfth-century reworkings. Eustathios of Thessaloniki could manipulate audience expectations in this way and was a master of techniques more usually found in poetry.
| Original language | English |
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| Pages (from-to) | 96-113 |
| Journal | Scholia: studies in classical antiquity |
| Volume | 12 |
| Publication status | Published - 2003 |