Naivety, Liberalism, and Isaiah Berlin’s Musical Thinking

This article aims to contribute to recent discussions about the status of the “aesthetic” in the history of liberalism, by considering the ways in which ideas about music—specifically a “love of music [that is] both aesthetic and ethical”—has shaped liberal thought. Focusing on the work of the prominent twentieth-century liberal Isaiah Berlin (1909–97), and drawing from unpublished correspondence and neglected published writings, it introduces music as a form through which Berlin approached thinking about the tension between sensation and idea, or feeling and thinking, thereby shaping his approach to intellectual history.