Indigenous images of a colonial exotic: imaginings from Bushman southern Africa

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    Rock-art is a powerful and theoretically informed artefact that allows non-rock-art producing people an understanding of the worldview of the rock-artists. But the flow of information in such rock-art researches –
    ‘us’ observing ‘them’ via `their’ artefacts is often asymmetrical and can be disempowering to the rock-art producing individuals and communities past and present. Fortunately, rock-art is also able to balance and even reverse this asymmetry. For example, there are certain ‘contact’ period Bushman rock engravings and rock paintings in southern Africa that were produced at and after the time of the colonisation of southern Africa by non-Bushmen. Some of the power relations between indigenes and colonists are made explicit in
    the form of rock-paintings and rock-engravings. Specifically, much of this rock-art shows how the Bushmen imagined and imaged the colonists.
    Original languageEnglish
    Article number1(6)
    Pages (from-to)17-39.
    Number of pages22
    JournalBefore Farming
    Issue number6
    Publication statusPublished - 2003


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