Abstract
The development of automatic narrative systems has been largely driven by the engineering tendency to anthropomorphize the machine logic so they can ‘tell stories’ similar to how humans do. From the artists’ perspective, however, the experimentation with their media is often more important than the (plausibility of) storytelling, and it often unfolds in nonverbal events that have a potential to generate diverse narratives through experience of the audience. We discuss the emergence of the creative practices that enrich the poetic repertoire of new media art by playfully utilizing the machine flaws, irregularities, errors and systemic technical imperfections thus revealing the human biases and fallacies entangled with technology. One of the implications of these practices is that if the AI research opens up a broader space in which a machine could achieve its own authorial voice, our concept and understanding of the narrative would need to be reconsidered.
Original language | English |
---|---|
Title of host publication | xCoAx 2019: Proceedings of the Seventh Conference on Computation, Communication, Aesthetics and X |
Editors | Mario Verdicchio, Miguel Carvalhais, Luísa Ribas, André Rangel |
Place of Publication | Portugal |
Publisher | Universidade do Porto |
Pages | 263-275 |
ISBN (Print) | 978-989-746-220-7 |
Publication status | Published - 2019 |
Event | 7th Conference on Computation, communication, Aesthetics and X - Milan, Italy Duration: 3 Jul 2019 → 5 Jul 2019 |
Conference
Conference | 7th Conference on Computation, communication, Aesthetics and X |
---|---|
Country/Territory | Italy |
City | Milan |
Period | 3/07/19 → 5/07/19 |