From pessimism to collaboration: The impact of the German Frobenius-Expedition (1938-1939) on the perception of Kimberley art and rock art

Research output: Contribution to journalArticle

Abstract

In 1938 and 1939 the Institut für Kulturmorphologie, based in Frankfurt am Main, Germany, conducted an ethnographic expedition into the remote Kimberley in Western Australia. Despite some earlier activities and publications, this expe-dition represents the first dedicated effort to conduct detailed and extensive ethnographic work in the region. It was also the first endeavour to specifically focus on the recording of rock art images and related ethnographic information. Over the last decades, the importance of this expedition, the respective publications and the related collections in Germany and Australia have been repeatedly recognised, particularly in relation to the perception and understand-ing of Kimberley rock art. However, systematic and collaborative community-based research has not been conducted. Therefore, the collection and the related ethnographic information have not been properly assessed and have even been misrepresented. Recent collaborative efforts between the relevant Aboriginal Wandjina Wunggurr communities and researchers in Australia and Germany have allowed entering a new phase in the engagement with these materials with valuable academic and non-academic outcomes. In this paper, we provide some preliminary critical and contextual assessments of the literature that is related to this expedition and how it represented and conceptualised Aboriginal art and rock art.
Original languageEnglish
Pages (from-to)88-99
JournalJournal of Pacific Archaeology
Volume8
Issue number1
Publication statusPublished - 2017

Fingerprint

rock art
art

Cite this

@article{63a647b39f58448990e14341b6e9c2fd,
title = "From pessimism to collaboration: The impact of the German Frobenius-Expedition (1938-1939) on the perception of Kimberley art and rock art",
abstract = "In 1938 and 1939 the Institut f{\"u}r Kulturmorphologie, based in Frankfurt am Main, Germany, conducted an ethnographic expedition into the remote Kimberley in Western Australia. Despite some earlier activities and publications, this expe-dition represents the first dedicated effort to conduct detailed and extensive ethnographic work in the region. It was also the first endeavour to specifically focus on the recording of rock art images and related ethnographic information. Over the last decades, the importance of this expedition, the respective publications and the related collections in Germany and Australia have been repeatedly recognised, particularly in relation to the perception and understand-ing of Kimberley rock art. However, systematic and collaborative community-based research has not been conducted. Therefore, the collection and the related ethnographic information have not been properly assessed and have even been misrepresented. Recent collaborative efforts between the relevant Aboriginal Wandjina Wunggurr communities and researchers in Australia and Germany have allowed entering a new phase in the engagement with these materials with valuable academic and non-academic outcomes. In this paper, we provide some preliminary critical and contextual assessments of the literature that is related to this expedition and how it represented and conceptualised Aboriginal art and rock art.",
author = "Martin Porr and Kim Doohan",
year = "2017",
language = "English",
volume = "8",
pages = "88--99",
journal = "Journal of Pacific Archaeology",
issn = "1179-4704",
number = "1",

}

TY - JOUR

T1 - From pessimism to collaboration: The impact of the German Frobenius-Expedition (1938-1939) on the perception of Kimberley art and rock art

AU - Porr, Martin

AU - Doohan, Kim

PY - 2017

Y1 - 2017

N2 - In 1938 and 1939 the Institut für Kulturmorphologie, based in Frankfurt am Main, Germany, conducted an ethnographic expedition into the remote Kimberley in Western Australia. Despite some earlier activities and publications, this expe-dition represents the first dedicated effort to conduct detailed and extensive ethnographic work in the region. It was also the first endeavour to specifically focus on the recording of rock art images and related ethnographic information. Over the last decades, the importance of this expedition, the respective publications and the related collections in Germany and Australia have been repeatedly recognised, particularly in relation to the perception and understand-ing of Kimberley rock art. However, systematic and collaborative community-based research has not been conducted. Therefore, the collection and the related ethnographic information have not been properly assessed and have even been misrepresented. Recent collaborative efforts between the relevant Aboriginal Wandjina Wunggurr communities and researchers in Australia and Germany have allowed entering a new phase in the engagement with these materials with valuable academic and non-academic outcomes. In this paper, we provide some preliminary critical and contextual assessments of the literature that is related to this expedition and how it represented and conceptualised Aboriginal art and rock art.

AB - In 1938 and 1939 the Institut für Kulturmorphologie, based in Frankfurt am Main, Germany, conducted an ethnographic expedition into the remote Kimberley in Western Australia. Despite some earlier activities and publications, this expe-dition represents the first dedicated effort to conduct detailed and extensive ethnographic work in the region. It was also the first endeavour to specifically focus on the recording of rock art images and related ethnographic information. Over the last decades, the importance of this expedition, the respective publications and the related collections in Germany and Australia have been repeatedly recognised, particularly in relation to the perception and understand-ing of Kimberley rock art. However, systematic and collaborative community-based research has not been conducted. Therefore, the collection and the related ethnographic information have not been properly assessed and have even been misrepresented. Recent collaborative efforts between the relevant Aboriginal Wandjina Wunggurr communities and researchers in Australia and Germany have allowed entering a new phase in the engagement with these materials with valuable academic and non-academic outcomes. In this paper, we provide some preliminary critical and contextual assessments of the literature that is related to this expedition and how it represented and conceptualised Aboriginal art and rock art.

M3 - Article

VL - 8

SP - 88

EP - 99

JO - Journal of Pacific Archaeology

JF - Journal of Pacific Archaeology

SN - 1179-4704

IS - 1

ER -