Emotions in The Witch of Edmonton

Kathryn Prince

Research output: Contribution to journalArticle

Abstract

In The Witch of Edmonton, a diabolical dog escapes from the supernatural subplot to unleash mischief, madness, and murder in rural Middlesex. While the play’s emotional sophistication is easy to overlook because of the preposterousness of a costumed actor taking the stage as a talking dog, an analysis grounded in History of Emotions approaches and focusing on Dog reveals the extent to which this play, in dramatizing a society without charity, makes a convincing emotional plea centred on the emotions that mobilize, and are mobilized by, the uncanny character at its heart.    
Original languageEnglish
JournalEarly Theatre
Volume21
Issue number2
DOIs
Publication statusPublished - 27 Dec 2018
Externally publishedYes

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