Dimensions of monstrosity: theory, narrative and psychoanalysis

Hock Soon Ng

    Research output: ThesisDoctoral Thesis

    68 Downloads (Pure)

    Abstract

    [Truncated] This thesis looks at how narratives portray monsters and the production of monstrosity. I am not interested predominantly in the 'creature' as the model of the monster, but am concerned with two main issues: the way various contemporary texts foreground monstrosity as a 'product' of, for instance, culture, ideology and history; and the different forms of 'embodiment' that monstrosity can take. Employing the psychoanalytical insights of Jacques Lacan and Slavoj Zizek, especially those theories concerning the Symbolic order, fantasy, reality and the Real, language, and what is conceptually known as 'the Void', I analyse the representational dynamics of monstrosity in nine texts: Peter Ackroyd's Hawksmoor (1985), J. G. Ballard's High-Rise (1975), Bret Easton Ellis's American Psycho (1991), Joyce Carol Oates's Zombie (1996), Iain Banks's The Wasp Factory (1984), Doris Lessing's The Fifth Child (1988), Patrick McGrath's 'Angel' (1991), Angela Carter's Nights at the Circus (1984) and Janice Galloway's 'Blood' (1991).
    Original languageEnglish
    QualificationDoctor of Philosophy
    Awarding Institution
    • The University of Western Australia
    DOIs
    Publication statusUnpublished - 2002

      Fingerprint

    Take-down notice

    This thesis has been made available in the UWA Profiles and Research Repository as part of a UWA Library project to digitise and make available theses completed before 2003. If you are the author of this thesis and would like it removed from the UWA Profiles and Research Repository, please contact digitaltheses-lib@uwa.edu.au

    Cite this