With Dead Time, we are attempting to make a double intervention. On the one hand, we want to respond to debates about whether media scholars can discover anything new by using eye tracking methods; on the other, we want to contribute to discussions as to the balance between the expository and the poetic in audiovisual essays. Through our research for this project we came to the realization that what eye tracking methods and audiovisual essays share is, first, an interest in how viewers are ‘grasped by’ (as in seized by) moving images, and second, a commitment to the provision of resources for scholars to grasp (as in comprehend or understand) that keeps the power of the visual (viewing) moment intact. More specifically, both eye tracking methods and audio-visual essays offer responses to the problems posed by the movement of moving images for those who study them.
|Specialist publication||[In]Transition: Journal of Videographic Film and Moving Image Studies|
|Publication status||Published - 2017|