Abstract
This thesis compares the representation of women in three internationally-licensed women's magazines-Cosmopolitan, Cleo
and Marie Claire-published in different settings: Australia and Indonesia. Within the frame of global cultural flows, Australian and
Indonesian editions similarly represent women as free, independent, self-sufficient and empowered individuals, as a result of
the magazines identification of common target readers as urban, middle-class women who are homogenously characterised
as educated, independent, and affluent. The study shows that women's magazines In general offer a fantasy and an escape. In
addition, the Indonesian versions assume readers aspire to be like the West.
and Marie Claire-published in different settings: Australia and Indonesia. Within the frame of global cultural flows, Australian and
Indonesian editions similarly represent women as free, independent, self-sufficient and empowered individuals, as a result of
the magazines identification of common target readers as urban, middle-class women who are homogenously characterised
as educated, independent, and affluent. The study shows that women's magazines In general offer a fantasy and an escape. In
addition, the Indonesian versions assume readers aspire to be like the West.
| Original language | English |
|---|---|
| Qualification | Doctor of Philosophy |
| Awarding Institution |
|
| Supervisors/Advisors |
|
| Award date | 11 Mar 2020 |
| DOIs | |
| Publication status | Unpublished - 2020 |
Access to Document
- THESIS - DOCTOR OF PHILOSOPHY - RIYANDARI Angelika - 2020
This work is protected by Copyright. You may print or download ONE copy of this document for the purpose of your own non-commercial research or study. Any other use requires permission from the copyright owner. The Copyright Act requires you to attribute any copyright works you quote or paraphrase.