Copyrighting culture: Photography and the public domain

Research output: Contribution to journalArticle

Abstract


This article is inspired by the New York Metropolitan Museum of Art’s recent announcement that it will make 375,000 high-resolution photographs of its public domain artworks available without restriction, waiving any copyright it may have in the photographs.The announcement prompts reflection on the intersection between the photograph, copyright, the practices of cultural institutions, and the dissemination of cultural goods.The article notes how the photograph is an essential fulcrum in the contemporary dissemination of culture, and how this can be chilled by control over the photograph
through copyright, but also through contract and the physical possession of photography’s ephemera.This leads to tensions between the property interests of cultural institutions and the public interest in accessing cultural artifacts through the medium of the photograph.The article probes the copyright status of photographs of public domain works, and explains how different courts have navigated the issue. It concludes that photographs of public domain artworks lack the originality essential to copyright subsistence, destabilizing the foundations of cultural institutions’ licensing models and public perceptions of property in photographic surrogates of public domain paintings.To capitalize on the socio-cultural benefits of the photograph as a mechanism of cultural dissemination, more cultural institutions must emulate the Met, and dispel the illusion of private property rights in the public domain.
Original languageEnglish
Pages (from-to)261-275
Number of pages15
JournalPhotography and Culture
Volume11
Issue number3
Early online date16 May 2018
DOIs
Publication statusPublished - 2 Sep 2018

Fingerprint

photography
cultural institution
private property
public interest
right of ownership
possession
museum
artifact
Photography
Public Domain
art
lack
Cultural Institutions

Cite this

@article{8c3f7426f34e434fb69d88b8b53a1f02,
title = "Copyrighting culture: Photography and the public domain",
abstract = "This article is inspired by the New York Metropolitan Museum of Art’s recent announcement that it will make 375,000 high-resolution photographs of its public domain artworks available without restriction, waiving any copyright it may have in the photographs.The announcement prompts reflection on the intersection between the photograph, copyright, the practices of cultural institutions, and the dissemination of cultural goods.The article notes how the photograph is an essential fulcrum in the contemporary dissemination of culture, and how this can be chilled by control over the photograph through copyright, but also through contract and the physical possession of photography’s ephemera.This leads to tensions between the property interests of cultural institutions and the public interest in accessing cultural artifacts through the medium of the photograph.The article probes the copyright status of photographs of public domain works, and explains how different courts have navigated the issue. It concludes that photographs of public domain artworks lack the originality essential to copyright subsistence, destabilizing the foundations of cultural institutions’ licensing models and public perceptions of property in photographic surrogates of public domain paintings.To capitalize on the socio-cultural benefits of the photograph as a mechanism of cultural dissemination, more cultural institutions must emulate the Met, and dispel the illusion of private property rights in the public domain.",
author = "Janice McCutcheon",
year = "2018",
month = "9",
day = "2",
doi = "10.1080/17514517.2018.1465648",
language = "English",
volume = "11",
pages = "261--275",
journal = "Photography and Culture",
issn = "1751-4517",
publisher = "Berg Publishers",
number = "3",

}

Copyrighting culture : Photography and the public domain. / McCutcheon, Janice.

In: Photography and Culture, Vol. 11, No. 3, 02.09.2018, p. 261-275.

Research output: Contribution to journalArticle

TY - JOUR

T1 - Copyrighting culture

T2 - Photography and the public domain

AU - McCutcheon, Janice

PY - 2018/9/2

Y1 - 2018/9/2

N2 - This article is inspired by the New York Metropolitan Museum of Art’s recent announcement that it will make 375,000 high-resolution photographs of its public domain artworks available without restriction, waiving any copyright it may have in the photographs.The announcement prompts reflection on the intersection between the photograph, copyright, the practices of cultural institutions, and the dissemination of cultural goods.The article notes how the photograph is an essential fulcrum in the contemporary dissemination of culture, and how this can be chilled by control over the photograph through copyright, but also through contract and the physical possession of photography’s ephemera.This leads to tensions between the property interests of cultural institutions and the public interest in accessing cultural artifacts through the medium of the photograph.The article probes the copyright status of photographs of public domain works, and explains how different courts have navigated the issue. It concludes that photographs of public domain artworks lack the originality essential to copyright subsistence, destabilizing the foundations of cultural institutions’ licensing models and public perceptions of property in photographic surrogates of public domain paintings.To capitalize on the socio-cultural benefits of the photograph as a mechanism of cultural dissemination, more cultural institutions must emulate the Met, and dispel the illusion of private property rights in the public domain.

AB - This article is inspired by the New York Metropolitan Museum of Art’s recent announcement that it will make 375,000 high-resolution photographs of its public domain artworks available without restriction, waiving any copyright it may have in the photographs.The announcement prompts reflection on the intersection between the photograph, copyright, the practices of cultural institutions, and the dissemination of cultural goods.The article notes how the photograph is an essential fulcrum in the contemporary dissemination of culture, and how this can be chilled by control over the photograph through copyright, but also through contract and the physical possession of photography’s ephemera.This leads to tensions between the property interests of cultural institutions and the public interest in accessing cultural artifacts through the medium of the photograph.The article probes the copyright status of photographs of public domain works, and explains how different courts have navigated the issue. It concludes that photographs of public domain artworks lack the originality essential to copyright subsistence, destabilizing the foundations of cultural institutions’ licensing models and public perceptions of property in photographic surrogates of public domain paintings.To capitalize on the socio-cultural benefits of the photograph as a mechanism of cultural dissemination, more cultural institutions must emulate the Met, and dispel the illusion of private property rights in the public domain.

UR - https://www.scopus.com/record/display.uri?eid=2-s2.0-85047145296&origin=resultslist&sort=plf-f&src=s&st1=Copyrighting+Culture%3a+Photography+and+the+Public+Domain&st2=&sid=e363add2b47f5b7a2d6c71f654d3c380&sot=b&sdt=b&sl=70&s=TITLE-ABS-KEY%28Copyrighting+Culture%3a+Photography+and+the+Public+Domain%29&relpos=0&citeCnt=0&searchTerm=

U2 - 10.1080/17514517.2018.1465648

DO - 10.1080/17514517.2018.1465648

M3 - Article

VL - 11

SP - 261

EP - 275

JO - Photography and Culture

JF - Photography and Culture

SN - 1751-4517

IS - 3

ER -