TY - JOUR
T1 - Colonial 'Blind Spots': Images of Australian Frontier Conflict
AU - Lydon, Jane
PY - 2018/12/10
Y1 - 2018/12/10
N2 - Visual representations of colonial violence constitute an overlooked source of evidence that, although shaped by contemporary visual and cultural conventions, allow us to engage with this troubling history in significant ways. The “history wars” of the turn of the millennium have been accused of focusing on disciplinary protocols with the effect of obscuring the moral implications of colonial invasion and dispossession. By contrast, images evoke empathy, creating social relationships across the British Empire that defined identities and aligned viewers with specific communities. Images also return the modern viewer to the emotional and moral intensity of 1830s and 1840s frontier violence in south-eastern Australia. They map colonial “blind spots” by demonstrating the ways that these emotions were politicised to legitimate colonial interests, for example, by directing sympathy towards white colonists, or seeking to evoke compassion for Aboriginal people. From our present-day perspective, these visual images help us to see our “reflection”, and acknowledge the truth of our history and its legacies.
AB - Visual representations of colonial violence constitute an overlooked source of evidence that, although shaped by contemporary visual and cultural conventions, allow us to engage with this troubling history in significant ways. The “history wars” of the turn of the millennium have been accused of focusing on disciplinary protocols with the effect of obscuring the moral implications of colonial invasion and dispossession. By contrast, images evoke empathy, creating social relationships across the British Empire that defined identities and aligned viewers with specific communities. Images also return the modern viewer to the emotional and moral intensity of 1830s and 1840s frontier violence in south-eastern Australia. They map colonial “blind spots” by demonstrating the ways that these emotions were politicised to legitimate colonial interests, for example, by directing sympathy towards white colonists, or seeking to evoke compassion for Aboriginal people. From our present-day perspective, these visual images help us to see our “reflection”, and acknowledge the truth of our history and its legacies.
KW - Frontier violence, visual culture, George Hamilton, Myall Creek Massacre, Major Nunn’s Campaign
U2 - 10.1080/14443058.2018.1526816
DO - 10.1080/14443058.2018.1526816
M3 - Article
VL - 42
SP - 409
EP - 427
JO - Journal of Australian Studies
JF - Journal of Australian Studies
SN - 1444-3058
IS - 4
ER -