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Abstract
This essay examines the role of parrhesia (i.e., free, frank, or fearless speech) in three Canterbury Tales - The Second Nun's Tale, The Tale of Melibee, and The Manciple's Tale - in which Chaucer explores how the desire to play the parrhesiastes and anxieties about parrhesia's dangerousness can serve as catalysts in the production of literary worlds. By way of conclusion, it argues that Chaucer's short poem 'Lak of Stedfastnesse' might archive a quasi-parrhesiastic utterance directed at the despotic King Richard II, and that a modern conception of Chaucer as a non-polemical ironist has prevented many critics from reading it as such.
Original language | English |
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Pages (from-to) | 30-43 |
Number of pages | 14 |
Journal | Postmedieval |
Volume | 9 |
Issue number | 1 |
DOIs | |
Publication status | Published - 1 Mar 2018 |
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Dive into the research topics of 'Chaucerian Parrhesia: World-building and truth-telling in The Canterbury Tales and 'Lak of Stedfastnesse''. Together they form a unique fingerprint.Projects
- 1 Finished
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Centre for the History of Emotions
Lynch, A. (Investigator 01), Van Gent, J. (Investigator 02), White, R. (Investigator 03), Lemmings, D. (Investigator 04), Davidson, J. (Investigator 05), Trigg, S. (Investigator 06), Haskell, Y. (Investigator 07), Holbrook, P. (Investigator 08), Ruys, J. (Investigator 09), Zika, C. (Investigator 10), Konishi, S. (Investigator 11), Gibbard, P. (Investigator 12) & Broomhall, S. (Investigator 13)
ARC Australian Research Council
1/01/11 → 31/12/18
Project: Research