Breaking Bond's Balls: A Feminist Re-Reading Ian Fleming

Research output: Chapter in Book/Conference paperChapter

Abstract

This chapter re-reads Ian Fleming’s Bond books through the lens of feminist literary criticism to explore new perspectives beyond the representation of Bond’s unreconstructed views about women and feminism. This process reiterates something we already know: that reading is shaped by other ‘paratextual’ contexts, such as book covers, marketing and merchandising spinoffs, and emphasises the power of the interpellation of an implied male reader by these means. A feminist re-reading of Bond allows us to read the novels against the grain of these paratexts, reassess what makes a ‘man’ in Bond’s world and show how often the lines between masculinity and femininity are blurred. The numerous physical and psychological attacks on Bond’s manhood display a persistent philosophical anxiety about patriarchy, masculinity and moral justice.
Original languageEnglish
Title of host publicationJAMES BOND UNCOVERED
EditorsJ Strong
PublisherPalgrave Macmillan
Pages107-126
Number of pages20
ISBN (Print)978-3-319-76122-0
DOIs
Publication statusPublished - 2018
Externally publishedYes

Publication series

NamePalgrave Studies in Adaptation and Visual Culture
PublisherPALGRAVE

Cite this

Whelehan, I. (2018). Breaking Bond's Balls: A Feminist Re-Reading Ian Fleming. In J. Strong (Ed.), JAMES BOND UNCOVERED (pp. 107-126). (Palgrave Studies in Adaptation and Visual Culture). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-76123-7_6
Whelehan, Imelda. / Breaking Bond's Balls : A Feminist Re-Reading Ian Fleming. JAMES BOND UNCOVERED. editor / J Strong. Palgrave Macmillan, 2018. pp. 107-126 (Palgrave Studies in Adaptation and Visual Culture).
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abstract = "This chapter re-reads Ian Fleming’s Bond books through the lens of feminist literary criticism to explore new perspectives beyond the representation of Bond’s unreconstructed views about women and feminism. This process reiterates something we already know: that reading is shaped by other ‘paratextual’ contexts, such as book covers, marketing and merchandising spinoffs, and emphasises the power of the interpellation of an implied male reader by these means. A feminist re-reading of Bond allows us to read the novels against the grain of these paratexts, reassess what makes a ‘man’ in Bond’s world and show how often the lines between masculinity and femininity are blurred. The numerous physical and psychological attacks on Bond’s manhood display a persistent philosophical anxiety about patriarchy, masculinity and moral justice.",
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Whelehan, I 2018, Breaking Bond's Balls: A Feminist Re-Reading Ian Fleming. in J Strong (ed.), JAMES BOND UNCOVERED. Palgrave Studies in Adaptation and Visual Culture, Palgrave Macmillan, pp. 107-126. https://doi.org/10.1007/978-3-319-76123-7_6

Breaking Bond's Balls : A Feminist Re-Reading Ian Fleming. / Whelehan, Imelda.

JAMES BOND UNCOVERED. ed. / J Strong. Palgrave Macmillan, 2018. p. 107-126 (Palgrave Studies in Adaptation and Visual Culture).

Research output: Chapter in Book/Conference paperChapter

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AB - This chapter re-reads Ian Fleming’s Bond books through the lens of feminist literary criticism to explore new perspectives beyond the representation of Bond’s unreconstructed views about women and feminism. This process reiterates something we already know: that reading is shaped by other ‘paratextual’ contexts, such as book covers, marketing and merchandising spinoffs, and emphasises the power of the interpellation of an implied male reader by these means. A feminist re-reading of Bond allows us to read the novels against the grain of these paratexts, reassess what makes a ‘man’ in Bond’s world and show how often the lines between masculinity and femininity are blurred. The numerous physical and psychological attacks on Bond’s manhood display a persistent philosophical anxiety about patriarchy, masculinity and moral justice.

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Whelehan I. Breaking Bond's Balls: A Feminist Re-Reading Ian Fleming. In Strong J, editor, JAMES BOND UNCOVERED. Palgrave Macmillan. 2018. p. 107-126. (Palgrave Studies in Adaptation and Visual Culture). https://doi.org/10.1007/978-3-319-76123-7_6