Bio-engineered Brains and Robotic Bodies: From Embodiment to Self-portraiture

Guy Ben-Ary, Gemma Ben-Ary

Research output: Chapter in Book/Conference paperChapterpeer-review

2 Citations (Scopus)


Guy Ben-Ary is an artist and researcher at SymbioticA: the Centre for Excellence in Biological Arts, at the University of Western Australia since 2001. The biological laboratory is his studio, and tissue engineering, electrophysiology, and other biological techniques are his artistic mediums. His work explores a number of fundamental themes that underpin the intersection between art and science; namely life and death, cybernetics, and artificial life. This paper examines the methodologies and theories that underpin his artistic practice by using four major projects as examples: MEART, Silent Barrage, In-Potentia, and cellF, with discussion of terminology, ethics and the idea of robotic embodiment as an artistic strategy.
Original languageEnglish
Title of host publicationRobots and Art
Subtitle of host publicationExploring an Unlikely Symbiosis
EditorsDamith Herath, Christian Kroos, Stelarc
Place of PublicationSingapore
Number of pages18
ISBN (Electronic)978-981-10-0321-9
ISBN (Print)978-981-10-0319-6
Publication statusPublished - 2016


Dive into the research topics of 'Bio-engineered Brains and Robotic Bodies: From Embodiment to Self-portraiture'. Together they form a unique fingerprint.

Cite this