TY - JOUR
T1 - Bandung Lautan Hardcore: territorialisation and deterritorialisation in an Indonesian hardcore punk scene
AU - Martin-Iverson, Sean
PY - 2014
Y1 - 2014
N2 - © 2014, © 2014 Taylor & Francis. Abstract: This article explores the entangled and contradictory processes of territorialisation and deterritorialisation that have shaped the hardcore punk scene in Bandung, Indonesia, while questioning the binary model of globalisation and localisation. The formation of the Bandung scene has certainly involved processes of local adaptation, translation, and territorialisation, but these cannot be disentangled from the global styles, orientations, and networks associated with hardcore punk. Through their active participation in global hardcore, Bandung's punks adopt a standpoint of underground cosmopolitanism that goes beyond a merely mimetic relationship to Western scenes. Their valorisation of local “Do It Yourself” production and performance reflects the value practices of global hardcore punk, and the social relationships that constitute the local scene extend beyond any straightforwardly spatial definition of the “local.” At the same time, this global orientation takes on particular locally-inflected meanings in the specific cultural and political environment of Bandung, Indonesia.
AB - © 2014, © 2014 Taylor & Francis. Abstract: This article explores the entangled and contradictory processes of territorialisation and deterritorialisation that have shaped the hardcore punk scene in Bandung, Indonesia, while questioning the binary model of globalisation and localisation. The formation of the Bandung scene has certainly involved processes of local adaptation, translation, and territorialisation, but these cannot be disentangled from the global styles, orientations, and networks associated with hardcore punk. Through their active participation in global hardcore, Bandung's punks adopt a standpoint of underground cosmopolitanism that goes beyond a merely mimetic relationship to Western scenes. Their valorisation of local “Do It Yourself” production and performance reflects the value practices of global hardcore punk, and the social relationships that constitute the local scene extend beyond any straightforwardly spatial definition of the “local.” At the same time, this global orientation takes on particular locally-inflected meanings in the specific cultural and political environment of Bandung, Indonesia.
U2 - 10.1080/14649373.2014.972636
DO - 10.1080/14649373.2014.972636
M3 - Article
SN - 1464-9373
VL - 15
SP - 532
EP - 552
JO - Inter-Asia Cultural Studies
JF - Inter-Asia Cultural Studies
IS - 4
ER -