What have architecture and poetry got to do with property? This is a core question in the poetry collection ‘signs of impression’, which explores the operation of possession in a settler colonial context. It does so through the story of James Lamsey, a Chinese doctor, prolific proprietor and philanthropist who forged a space for himself in the regional Victorian city of Bendigo in the late 19th Century.
|Publisher||Cordite Poetry Review|
|Publication status||Published - Aug 2017|