This chapter will discuss the transformation of the traditional, balletic style of women’s artistic gymnastics (WAG) toward acrobatics and spectacle. In doing so, it will demonstrate the changing gymnastics bodies and styles, from physically mature with graceful performances to pre-pubescent with cute routines. Gymnasts’ comportment will add weight to this analysis, with socially and politically active women of the 1960s contrasting with the young girls’ childish behaviours of the 1970s. Locating this period in the late 1960s and early 1970s, it will also demonstrate how these changes grew from geographically and politically diverse contexts. This will reveal how pixie-style gymnastics was a slow building trend, which Olga Korbut came to represent, despite the involvement of a variety of other actors to 1972. Comparing media coverage of pixie-style with old-style WAG will illuminate the role of the media in cementing this trend.
|Title of host publication||Women's Artistic Gymnastics|
|Subtitle of host publication||The socio-cultural story of Women's Artistic Gymnastics|
|Editors||Roslyn Kerr, Natalie Barker-Ruchti, Carly Stewart, Gretchen Kerr|
|Place of Publication||London|
|Number of pages||13|
|Publication status||Published - Apr 2020|
Cervin, G. (2020). Acrobatisation and establishment of pixie-style women’s artistic gymnastics. In R. Kerr, N. Barker-Ruchti, C. Stewart, & G. Kerr (Eds.), Women's Artistic Gymnastics: The socio-cultural story of Women's Artistic Gymnastics (1 ed.). London: Routledge.