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Richard Read

Emeritus Professor, BA Camb., MA PhD R'dg

  • The University of Western Australia (M433), 35 Stirling Highway,

    6009 Perth

    Australia

1993 …2019
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Research Output 1993 2019

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Chapter
2019

Art and politics: a critic’s perspective on Agnes Martin and Liberate Tate

Read, R., 2019, TransCultural Exchange's 2018 International Conference on Opportunities in the Arts: Exploring New Horizons. Sherman, M. (ed.). Delaware: Vernon Press, p. 177-196 20 p. (Series in art).

Research output: Chapter in Book/Conference paperChapter

Art
Agnes Martin
Art and Politics
Indifference
Activists
2018

Boosting the Emotional Power of New Liturgy: The Hidden Sides of Things in Giotto's Crib at Greccio

Read, R., 2018, Performing Emotions in Early Europe. Maddern, P., McEwan, J. & Scott, A. M. (eds.). Brepols Publishers, p. 201-220 20 p. (Early European Research; vol. 11).

Research output: Chapter in Book/Conference paperChapter

Emotion
Liturgy
Fresco
Chorus
Saints
2015

Circling Each Other: Henry Moore and Adrian Stokes.

Read, R., 2015, Henry Moore: Sculptural Process and Public Identity. Griffin, C. & Mundy, J. (eds.). UK Online: Tate Research Publication, p. 1-24

Research output: Chapter in Book/Conference paperChapter

Hazlitt on Gesture and Hybrid Emotions: Individuality and Community in the Maidstone self-portrait and Fonthill Abbey

Read, R., 2015, Spaces for Feeling Emotions and Sociabilities, 1650-1850. Broomhall, S. (ed.). Abingdon, UK: Routledge, p. 159-184

Research output: Chapter in Book/Conference paperChapter

2014

Painting and technology: Morse and the visual transmission of intelligence

Read, R., 2014, Samuel F.B. Morse's gallery of the Louvre and the art of invention. Grubb, N. & Keller, M. (eds.). Chicago, Illinois: Terra Foundation for American Art, p. 130-147

Research output: Chapter in Book/Conference paperChapter

The Thin End of the Wedge: Self, Soul and Body in Rembrandt's Kenwood Self Portrait

Read, R., 2014, Conjunctions of mind, soul and body from Plato to the Enlightenment. Kambaskovic-Sawers, D. (ed.). New York: Springer Dordrecht Heidelberg, p. 69-95

Research output: Chapter in Book/Conference paperChapter

2012

Hazlitt as a Gateway to Nineteenth-Century Ekphrasis: The Quarrel with Reynolds Revisited

Read, R., 2012, Legacies of Romanticism: Literature, Culture, Aesthetics. Casaliggi, C. & March-Russell, P. (eds.). New York and Abingdon, UK: Routledge, p. 15-30

Research output: Chapter in Book/Conference paperChapter

2010

Contrasting Appetites in John Ruskin's and English "Nurseries"

Read, R., 2010, Ruskin, Venice and Nineteenth-Century Cultural Travel. Hanley, K. & Sdegno, E. (eds.). Venice, Itlay: Cafoscarina, p. 423-444

Research output: Chapter in Book/Conference paperChapter

2007

Anglo-Italian Contrasts in Ruskin's 'The Stones of Venice'

Read, R., 2007, Ruskin in Perspective: Contemporary Essays. Casaliggi, C. & March-Russell, P. (eds.). Newcastle, U.K.: Cambridge Scholars Publishing, p. 47-66

Research output: Chapter in Book/Conference paperChapter

Representing Trauma: The Case for Troubling Images

Read, R., 2007, Remember Me: Constructing Immortality: Beliefs on Immortality, Life, and Death. Mitchell, M. (ed.). New York, USA: Routledge, p. 227-242

Research output: Chapter in Book/Conference paperChapter

Stokes's Analysis

Read, R., 2007, The Coral Mind: Adrian Stokes's Engagement with Architecture, Art History, Criticism, and Psychoanalysis. Bann, S. (ed.). Pennsylvania, USA: Penn State University Press, p. 89-103

Research output: Chapter in Book/Conference paperChapter

2003
80 Downloads (Pure)

Adrian Stokes, Ezra Pound and the Generational Divide in Taste for Modernist Sculpture

Read, R., 2003, Ezra Pound and Referentiality. Aji, H. (ed.). Paris: Presses de L'Universite de Paris-Sorbonne, p. 133-148

Research output: Chapter in Book/Conference paperChapter

Open Access
File
26 Citations (Scopus)

Intersubjective Fantasy and Cross-Gendering in Ruskin and Pater

Read, R., 2003, Subjectivity and Methodology in Art History. Margaretha, R. LAGERLOF. & Dan, KARLHOLM. (eds.). Stockholm, SWEDEN: Konstvetenskapliga institutionen vid Stockholms universitet, p. 139-153

Research output: Chapter in Book/Conference paperChapter

Modest Theory: Spatial Reflexivity in Adrian Stokes's 'Pisanello'

Read, R., 2003, Lost in Space. Ioan, A. (ed.). Romania: New Europe College, p. 570-615

Research output: Chapter in Book/Conference paperChapter

1995

'Art Criticism versus Poetry: An Introduction to Adrian Stokes's Pisanello'

Read, R., 1995, Comparative Criticism: Walter Pater & the Culture of the Fin-De-Siecle. Shaffer, E. F. (ed.). Cambridge: Cambridge University Press, Vol. 17. p. 133-160

Research output: Chapter in Book/Conference paperChapter

'Art is Strange'

Read, R., 1995, 10 + 3. Busfield, B. (ed.). Perth WA: The University of Western Australia, Vol. 1. p. 86-87

Research output: Chapter in Book/Conference paperChapter

'Veduto a Volo d'Uccello (Bird's Eye View)'

Read, R., 1995, 10 + 3. Bushfield, B. (ed.). Perth WA: The University of Western Australia, Vol. 1. p. 100-103

Research output: Chapter in Book/Conference paperChapter