Photo of Richard Read

Richard Read

Emeritus Professor, BA Camb., MA PhD R'dg

  • The University of Western Australia (M433), 35 Stirling Highway,

    6009 Perth

    Australia

1993 …2019
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Research Output 1993 2019

2019

Art and politics: a critic’s perspective on Agnes Martin and Liberate Tate

Read, R., 2019, TransCultural Exchange's 2018 International Conference on Opportunities in the Arts: Exploring New Horizons. Sherman, M. (ed.). Delaware: Vernon Press, p. 177-196 20 p. (Series in art).

Research output: Chapter in Book/Conference paperChapter

Art
Agnes Martin
Art and Politics
Indifference
Activists
2018

Boosting the Emotional Power of New Liturgy: The Hidden Sides of Things in Giotto's Crib at Greccio

Read, R., 2018, Performing Emotions in Early Europe. Maddern, P., McEwan, J. & Scott, A. M. (eds.). Brepols Publishers, p. 201-220 20 p. (Early European Research; vol. 11).

Research output: Chapter in Book/Conference paperChapter

Emotion
Liturgy
Fresco
Chorus
Saints
26 Downloads (Pure)

Trajective Art Criticism: Boats (Trains, Planes) and Home in the Era of Retreat from Democracy

Read, R., 2018, Art Criticism in the Age of Virtuality and Democracy : Papers of the 2018 AICA International Congress Taiwan . Taipei: Showwee Information Co, Ltd, Taipei, Taiwan, p. 61-85 24 p.

Research output: Chapter in Book/Conference paperConference paper

File
Democracy
Boats
Art Criticism
Retreat
Train
2017
Human History
American Landscape
Continental
Blogs
Art Gallery of Western Australia
American Landscape
Continental
American Painting
Colonies
Blogs
2016

Colonisation & Wilderness: Nineteenth-century American and Australian landscape painting

Read, R., 2016

Research output: Non-traditional research outputOther non-textual work

Possibilization and Desuetude: the Politics of the Reversed Canvas as Thing-Object

Read, R., 2016, In : Transformations. 27, 22 p.

Research output: Contribution to journalArticle

Canvas
Theorists
Economics
Usefulness
Auctions
11 Downloads (Pure)

The Emotional Historiography of Michelangelo Antonioni’s L’Eclisse

Read, R., 21 Dec 2016, In : Screening the Past. 41

Research output: Contribution to journalArticle

Historiography
Emotion
Rejection
Italy
Rome
American Landscape
Wilderness
Continental
American Painting
Colonization
2015

Circling Each Other: Henry Moore and Adrian Stokes.

Read, R., 2015, Henry Moore: Sculptural Process and Public Identity. Griffin, C. & Mundy, J. (eds.). UK Online: Tate Research Publication, p. 1-24

Research output: Chapter in Book/Conference paperChapter

Hazlitt on Gesture and Hybrid Emotions: Individuality and Community in the Maidstone self-portrait and Fonthill Abbey

Read, R., 2015, Spaces for Feeling Emotions and Sociabilities, 1650-1850. Broomhall, S. (ed.). Abingdon, UK: Routledge, p. 159-184

Research output: Chapter in Book/Conference paperChapter

Negation, Possibilisation, Emergence and the Reversed Painting

Read, R., 2015, In : Insights E-Journal. 8, 11.

Research output: Contribution to journalArticle

Negation
Motifs
Longing
Symbol
Viewer
2014

Painting and technology: Morse and the visual transmission of intelligence

Read, R., 2014, Samuel F.B. Morse's gallery of the Louvre and the art of invention. Grubb, N. & Keller, M. (eds.). Chicago, Illinois: Terra Foundation for American Art, p. 130-147

Research output: Chapter in Book/Conference paperChapter

The Thin End of the Wedge: Self, Soul and Body in Rembrandt's Kenwood Self Portrait

Read, R., 2014, Conjunctions of mind, soul and body from Plato to the Enlightenment. Kambaskovic-Sawers, D. (ed.). New York: Springer Dordrecht Heidelberg, p. 69-95

Research output: Chapter in Book/Conference paperChapter

2012

Hazlitt as a Gateway to Nineteenth-Century Ekphrasis: The Quarrel with Reynolds Revisited

Read, R., 2012, Legacies of Romanticism: Literature, Culture, Aesthetics. Casaliggi, C. & March-Russell, P. (eds.). New York and Abingdon, UK: Routledge, p. 15-30

Research output: Chapter in Book/Conference paperChapter

1 Citation (Scopus)
2011

New Works by Judy Rogers

Read, R., 2011, Perth, WA: Nyisztor Studio and Perth Galleries.

Research output: Book/ReportBook

2010

Contrasting Appetites in John Ruskin's and English "Nurseries"

Read, R., 2010, Ruskin, Venice and Nineteenth-Century Cultural Travel. Hanley, K. & Sdegno, E. (eds.). Venice, Itlay: Cafoscarina, p. 423-444

Research output: Chapter in Book/Conference paperChapter

Susan Flavell's Homely but Unheimlich Hybrids

Read, R., 2010, Perth, W.A.: Mark Howlett Foundation.

Research output: Book/ReportBook

2009

Intra-Extra-Recto-Verso : reversed Paintings and Ontological Realms

Read, R., 2009, In : Melbourne Art Journal. 11-12, p. 121-135

Research output: Contribution to journalArticle

Ontological
Recto
Comparative Analysis
1960s
Emphatics

Painting as New Medium: The Reversed Canvas in Colonial Art

Read, R., 2009, Crossing Cultures: Conflict, Migration and Convergence. Anderson, J. (ed.). University of Melbourne ed. Melbourne: The Miegunyah Press, Vol. 1. p. 972-976

Research output: Chapter in Book/Conference paperConference paper

2008

Jane Martin's Moveable Feasts

Read, R., 2008, Perth, W.A.: Mark Howlett Foundation.

Research output: Book/ReportBook

Meubles and Tableaux

Read, R., 2008, Perth, W.A.: Pamela Gaunt.

Research output: Book/ReportBook

2007

Anglo-Italian Contrasts in Ruskin's 'The Stones of Venice'

Read, R., 2007, Ruskin in Perspective: Contemporary Essays. Casaliggi, C. & March-Russell, P. (eds.). Newcastle, U.K.: Cambridge Scholars Publishing, p. 47-66

Research output: Chapter in Book/Conference paperChapter

Representing Trauma: The Case for Troubling Images

Read, R., 2007, Remember Me: Constructing Immortality: Beliefs on Immortality, Life, and Death. Mitchell, M. (ed.). New York, USA: Routledge, p. 227-242

Research output: Chapter in Book/Conference paperChapter

Stokes's Analysis

Read, R., 2007, The Coral Mind: Adrian Stokes's Engagement with Architecture, Art History, Criticism, and Psychoanalysis. Bann, S. (ed.). Pennsylvania, USA: Penn State University Press, p. 89-103

Research output: Chapter in Book/Conference paperChapter

2006

Galliano Fardin: Colours of the Ground

Read, R., 2006, Perth, WA: Mark Howlett Foundation.

Research output: Book/ReportBook

2005

Stokes, Adrian (1902-1972)

Read, R., 2005, The Exra Pound Encyclopedia. Tryphonopoulos, Demetres, P., Adams & Stephen, J. (eds.). Westport, Connecticut, USA: Greenwood Press, Vol. N/A. p. 281-282

Research output: Chapter in Book/Conference paperEntry for encyclopedia/dictionary

2004

Walking, Writing, Wittgenstein and the Theoretical Adequacy of Description

Read, R., 2004, In : Kerb. 13, p. 2-4

Research output: Contribution to journalLetter

2003
80 Downloads (Pure)

Adrian Stokes, Ezra Pound and the Generational Divide in Taste for Modernist Sculpture

Read, R., 2003, Ezra Pound and Referentiality. Aji, H. (ed.). Paris: Presses de L'Universite de Paris-Sorbonne, p. 133-148

Research output: Chapter in Book/Conference paperChapter

Open Access
File
26 Citations (Scopus)

Intersubjective Fantasy and Cross-Gendering in Ruskin and Pater

Read, R., 2003, Subjectivity and Methodology in Art History. Margaretha, R. LAGERLOF. & Dan, KARLHOLM. (eds.). Stockholm, SWEDEN: Konstvetenskapliga institutionen vid Stockholms universitet, p. 139-153

Research output: Chapter in Book/Conference paperChapter

Modest Theory: Spatial Reflexivity in Adrian Stokes's 'Pisanello'

Read, R., 2003, Lost in Space. Ioan, A. (ed.). Romania: New Europe College, p. 570-615

Research output: Chapter in Book/Conference paperChapter

Rome: 'Think Over' at Rialto Santambrogio

Read, R., 2003, In : CIRCA: contemporary visual culture in Ireland. 106, p. 78-79

Research output: Contribution to journalArticle

3 Citations (Scopus)
2002

Art and its Discontents: The Early Life of Adrian Stokes

Read, R., 2002, Aldershot, England: Ashgate Publishing Limited.

Research output: Book/ReportBook

2000

Absorbing alienation and anti-Orientalist empathy in Tsai Mingliang's 'Vive l'amour'

Read, R., 2000, Pre/dictions: The Role of Art at the end of the Millennium. Harper, J. (ed.). Victoria University of Welling ed. Wellington, New Zealand: Department of Art History, Victoria University of Wellington, Vol. N/A. p. 79-82

Research output: Chapter in Book/Conference paperConference paper

Introduction: The Book of Dark Pages by Nora Fleming

Read, R., 2000, Not available. 1 ed. Sydney: The Garden Path Press, p. 1-3

Research output: Chapter in Book/Conference paperOther chapter contribution

Virtualities: Television, Media Arts and Cyberculture

Read, R., 2000, In : Continuum: Journal of Media and Cultural Studies. 14, 1, April 2000, p. 108-110

Research output: Contribution to journalReview article

1999

'Apres Picasso, Le Deluge' or Why the Love Boat Won't Hold Water

Read, R., 1999, In : 'Titanic' directed by James Cameron;. XXV111, 3, p. 261-275

Research output: Contribution to journalLiterature review

Radio transcript from W.edge on Radio National

Read, R., Weller, R., Muecke, S. & Seddon, G., 1999, In : Kerb. 6, 1999, p. 4-89

Research output: Contribution to journalArticle

1998
7 Citations (Scopus)

'Art Today': Stokes, Pound, Freud and the word-image opposition

Read, R., 1998, In : Word and Image. 14, 3, July-September, 1998, p. 227-252

Research output: Contribution to journalArticle