Research Output per year
Research Output 1993 2019
- 1 - 50 out of 60 results
- Publication Year, Title (descending)
2019
Art and politics: a critic’s perspective on Agnes Martin and Liberate Tate
Read, R., 2019, TransCultural Exchange's 2018 International Conference on Opportunities in the Arts: Exploring New Horizons. Sherman, M. (ed.). Delaware: Vernon Press, p. 177-196 20 p. (Series in art).Research output: Chapter in Book/Conference paper › Chapter
Art
Agnes Martin
Art and Politics
Indifference
Activists
Opened eyes on Australian exhibition history: review of Australian Art Exhibitions: Opening our Eyes by Joanna Mendelssohn, Catherine De Lorenzo, Alison Inglis and Catherine Speck (Melbourne: Thames & Hudson, 2018)
Read, R., Jun 2019, In : Journal of Art Historiography. 20, p. 1-16 16 p.Research output: Contribution to journal › Review article
Open Access
Exhibition History
Melbourne
Australian Art
History
Thames
2018
Boosting the Emotional Power of New Liturgy: The Hidden Sides of Things in Giotto's Crib at Greccio
Read, R., 2018, Performing Emotions in Early Europe. Maddern, P., McEwan, J. & Scott, A. M. (eds.). Brepols Publishers, p. 201-220 20 p. (Early European Research; vol. 11).Research output: Chapter in Book/Conference paper › Chapter
Emotion
Liturgy
Fresco
Chorus
Saints
26
Downloads
(Pure)
Trajective Art Criticism: Boats (Trains, Planes) and Home in the Era of Retreat from Democracy
Read, R., 2018, Art Criticism in the Age of Virtuality and Democracy : Papers of the 2018 AICA International Congress Taiwan . Taipei: Showwee Information Co, Ltd, Taipei, Taiwan, p. 61-85 24 p.Research output: Chapter in Book/Conference paper › Conference paper
File
Democracy
Boats
Art Criticism
Retreat
Train
2017
'Continental Shift III: The Impact of Science': Blog 3
Read, R., 9 Feb 2017, HISTORIES OF EMOTION From Medieval Europe to Contemporary Australia website. 3 p.Research output: Book/Report › Other output
Human History
American Landscape
Continental
Blogs
Art Gallery of Western Australia
‘Continental Shift II: The Problem of History’: Blog 2
Read, R., 3 Feb 2017, HISTORIES OF EMOTION From Medieval Europe to Contemporary Australia website. 3 p.Research output: Book/Report › Other output
American Landscape
Continental
American Painting
Colonies
Blogs
2016
Colonisation & Wilderness: Nineteenth-century American and Australian landscape painting
Read, R., 2016Research output: Non-traditional research output › Other non-textual work
Possibilization and Desuetude: the Politics of the Reversed Canvas as Thing-Object
Read, R., 2016, In : Transformations. 27, 22 p.Research output: Contribution to journal › Article
Canvas
Theorists
Economics
Usefulness
Auctions
11
Downloads
(Pure)
The Emotional Historiography of Michelangelo Antonioni’s L’Eclisse
Read, R., 21 Dec 2016, In : Screening the Past. 41Research output: Contribution to journal › Article
Historiography
Emotion
Rejection
Italy
Rome
‘Continental Shift 1: Colonization and Wilderness’: Blog 1
Read, R., 2016, HISTORIES OF EMOTION From Medieval Europe to Contemporary Australia website. 3 p.Research output: Book/Report › Other output
American Landscape
Wilderness
Continental
American Painting
Colonization
2015
Circling Each Other: Henry Moore and Adrian Stokes.
Read, R., 2015, Henry Moore: Sculptural Process and Public Identity. Griffin, C. & Mundy, J. (eds.). UK Online: Tate Research Publication, p. 1-24Research output: Chapter in Book/Conference paper › Chapter
Hazlitt on Gesture and Hybrid Emotions: Individuality and Community in the Maidstone self-portrait and Fonthill Abbey
Read, R., 2015, Spaces for Feeling Emotions and Sociabilities, 1650-1850. Broomhall, S. (ed.). Abingdon, UK: Routledge, p. 159-184Research output: Chapter in Book/Conference paper › Chapter
Negation, Possibilisation, Emergence and the Reversed Painting
Read, R., 2015, In : Insights E-Journal. 8, 11.Research output: Contribution to journal › Article
Negation
Motifs
Longing
Symbol
Viewer
2014
Painting and technology: Morse and the visual transmission of intelligence
Read, R., 2014, Samuel F.B. Morse's gallery of the Louvre and the art of invention. Grubb, N. & Keller, M. (eds.). Chicago, Illinois: Terra Foundation for American Art, p. 130-147Research output: Chapter in Book/Conference paper › Chapter
The Thin End of the Wedge: Self, Soul and Body in Rembrandt's Kenwood Self Portrait
Read, R., 2014, Conjunctions of mind, soul and body from Plato to the Enlightenment. Kambaskovic-Sawers, D. (ed.). New York: Springer Dordrecht Heidelberg, p. 69-95Research output: Chapter in Book/Conference paper › Chapter
2012
Hazlitt as a Gateway to Nineteenth-Century Ekphrasis: The Quarrel with Reynolds Revisited
Read, R., 2012, Legacies of Romanticism: Literature, Culture, Aesthetics. Casaliggi, C. & March-Russell, P. (eds.). New York and Abingdon, UK: Routledge, p. 15-30Research output: Chapter in Book/Conference paper › Chapter
The Relational Origins on Inter-media Art in Painting, Interior Design and Picture Framing: Pamela Gaunt's Errant Abstractions
Read, R., 2012, In : craft + design enquiry. 4, 2012, p. 109-133Research output: Contribution to journal › Article
1
Citation
(Scopus)
Vico, Virginia Woolf and Adrian Stokes's Autobiographies: Fantasy, Providence and Isolation in Post-War British Aesthetics
Read, R., 2012, In : Art History. 35, 4, p. 778-795Research output: Contribution to journal › Article
2011
New Works by Judy Rogers
Read, R., 2011, Perth, WA: Nyisztor Studio and Perth Galleries.Research output: Book/Report › Book
2010
Contrasting Appetites in John Ruskin's and English "Nurseries"
Read, R., 2010, Ruskin, Venice and Nineteenth-Century Cultural Travel. Hanley, K. & Sdegno, E. (eds.). Venice, Itlay: Cafoscarina, p. 423-444Research output: Chapter in Book/Conference paper › Chapter
Susan Flavell's Homely but Unheimlich Hybrids
Read, R., 2010, Perth, W.A.: Mark Howlett Foundation.Research output: Book/Report › Book
The Diastolic Rhythm of the Gallery: Copies, Originals, and Reversed Canvases
Read, R., 2010, In : Australian & New Zealand Journal of Art. 10, 1, p. 56-77Research output: Contribution to journal › Article
2009
Intra-Extra-Recto-Verso : reversed Paintings and Ontological Realms
Read, R., 2009, In : Melbourne Art Journal. 11-12, p. 121-135Research output: Contribution to journal › Article
Ontological
Recto
Comparative Analysis
1960s
Emphatics
Painting as New Medium: The Reversed Canvas in Colonial Art
Read, R., 2009, Crossing Cultures: Conflict, Migration and Convergence. Anderson, J. (ed.). University of Melbourne ed. Melbourne: The Miegunyah Press, Vol. 1. p. 972-976Research output: Chapter in Book/Conference paper › Conference paper
2008
Jane Martin's Moveable Feasts
Read, R., 2008, Perth, W.A.: Mark Howlett Foundation.Research output: Book/Report › Book
2007
Anglo-Italian Contrasts in Ruskin's 'The Stones of Venice'
Read, R., 2007, Ruskin in Perspective: Contemporary Essays. Casaliggi, C. & March-Russell, P. (eds.). Newcastle, U.K.: Cambridge Scholars Publishing, p. 47-66Research output: Chapter in Book/Conference paper › Chapter
Representing Trauma: The Case for Troubling Images
Read, R., 2007, Remember Me: Constructing Immortality: Beliefs on Immortality, Life, and Death. Mitchell, M. (ed.). New York, USA: Routledge, p. 227-242Research output: Chapter in Book/Conference paper › Chapter
Stokes's Analysis
Read, R., 2007, The Coral Mind: Adrian Stokes's Engagement with Architecture, Art History, Criticism, and Psychoanalysis. Bann, S. (ed.). Pennsylvania, USA: Penn State University Press, p. 89-103Research output: Chapter in Book/Conference paper › Chapter
2006
Galliano Fardin: Colours of the Ground
Read, R., 2006, Perth, WA: Mark Howlett Foundation.Research output: Book/Report › Book
2005
Stokes, Adrian (1902-1972)
Read, R., 2005, The Exra Pound Encyclopedia. Tryphonopoulos, Demetres, P., Adams & Stephen, J. (eds.). Westport, Connecticut, USA: Greenwood Press, Vol. N/A. p. 281-282Research output: Chapter in Book/Conference paper › Entry for encyclopedia/dictionary
2004
Intra -Extra - Verso - Recto: Hinchliffe's Banks of Paintings
Read, R., 2004, Perth, WA: The Mark Howlett Foundation.Research output: Book/Report › Book
Walking, Writing, Wittgenstein and the Theoretical Adequacy of Description
Read, R., 2004, In : Kerb. 13, p. 2-4Research output: Contribution to journal › Letter
2003
80
Downloads
(Pure)
Adrian Stokes, Ezra Pound and the Generational Divide in Taste for Modernist Sculpture
Read, R., 2003, Ezra Pound and Referentiality. Aji, H. (ed.). Paris: Presses de L'Universite de Paris-Sorbonne, p. 133-148Research output: Chapter in Book/Conference paper › Chapter
Open Access
File
hinchliffe's paradoxes: notes towards a speculative history of the reversed canvas
Read, R., 2003, Melbourne: Span Galleries.Research output: Book/Report › Book
26
Citations
(Scopus)
Intersubjective Fantasy and Cross-Gendering in Ruskin and Pater
Read, R., 2003, Subjectivity and Methodology in Art History. Margaretha, R. LAGERLOF. & Dan, KARLHOLM. (eds.). Stockholm, SWEDEN: Konstvetenskapliga institutionen vid Stockholms universitet, p. 139-153Research output: Chapter in Book/Conference paper › Chapter
Modest Theory: Spatial Reflexivity in Adrian Stokes's 'Pisanello'
Read, R., 2003, Lost in Space. Ioan, A. (ed.). Romania: New Europe College, p. 570-615Research output: Chapter in Book/Conference paper › Chapter
Rome: 'Think Over' at Rialto Santambrogio
Read, R., 2003, In : CIRCA: contemporary visual culture in Ireland. 106, p. 78-79Research output: Contribution to journal › Article
3
Citations
(Scopus)
The Geography of Dreams: Response to Andy Relph's 'Architecture and the Psyche'
Read, R., 2003, In : CONNECT: Mental Health Matters in Western Australia. 8, 3, p. 15-16Research output: Contribution to journal › Letter
2002
Art and its Discontents: The Early Life of Adrian Stokes
Read, R., 2002, Aldershot, England: Ashgate Publishing Limited.Research output: Book/Report › Book
2000
Absorbing alienation and anti-Orientalist empathy in Tsai Mingliang's 'Vive l'amour'
Read, R., 2000, Pre/dictions: The Role of Art at the end of the Millennium. Harper, J. (ed.). Victoria University of Welling ed. Wellington, New Zealand: Department of Art History, Victoria University of Wellington, Vol. N/A. p. 79-82Research output: Chapter in Book/Conference paper › Conference paper
Alienation,Aesthetic Distance and Absorption in Tsai Mingliang's 'Vive L'Amour'
Read, R., 2000, In : New Formations: a journal of culture/theory/politics. 40, Spring 2000, p. 102-112Research output: Contribution to journal › Article
Introduction: The Book of Dark Pages by Nora Fleming
Read, R., 2000, Not available. 1 ed. Sydney: The Garden Path Press, p. 1-3Research output: Chapter in Book/Conference paper › Other chapter contribution
Virtualities: Television, Media Arts and Cyberculture
Read, R., 2000, In : Continuum: Journal of Media and Cultural Studies. 14, 1, April 2000, p. 108-110Research output: Contribution to journal › Review article
1999
'Apres Picasso, Le Deluge' or Why the Love Boat Won't Hold Water
Read, R., 1999, In : 'Titanic' directed by James Cameron;. XXV111, 3, p. 261-275Research output: Contribution to journal › Literature review
Radio transcript from W.edge on Radio National
Read, R., Weller, R., Muecke, S. & Seddon, G., 1999, In : Kerb. 6, 1999, p. 4-89Research output: Contribution to journal › Article
The unpublished correspondence of Ezra Pound and Adrian Stokes 1927-1934: modernist myth-making in sculpture, literature, aesthetics and psychoanalysis
Read, R., 1999, In : Comparative Criticism. 21, p. 79-127Research output: Contribution to journal › Article
Two art histories: Drysdale at the National Gallery of Victoria
Read, R., 1999, In : Geoffrey Smith, 'Russell Drysdale 1912-81' National Gallery of Victoria catalogue (ISBN 0 7241 0198 5). X1V, 2, p. 165-177Research output: Contribution to journal › Literature review
1998
7
Citations
(Scopus)
'Art Today': Stokes, Pound, Freud and the word-image opposition
Read, R., 1998, In : Word and Image. 14, 3, July-September, 1998, p. 227-252Research output: Contribution to journal › Article
Power and Glory
Read, R., 1998, In : Exhibition: The Golden Age of Dutch Art: Seventeenth Century Paintings from the Rijksmuseum and Australian Collections. 35, 3, p. 342-344Research output: Contribution to journal › Article