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Ian McLean

Professor

  • The University of Western Australia (M433), 35 Stirling Highway,

    6009 Perth

    Australia

  • 20 Citations
  • 3 h-Index
19992017
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Research Output 1999 2017

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Chapter
2017

Preface

Jorgensen, D. J. & McLean, I. A., 2017, Indigenous Archives: The Making and Unmaking of Aboriginal Art. Jorgensen, D. & McLean, I. (eds.). Western Australia: UWA Publishing, p. v-21

Research output: Chapter in Book/Conference paperChapter

2014

Introduction

Mclean, I., 2014, Double Desire: Transculturation and Indigenous Contemporary Art. McLean, I. (ed.). Newcastle upon Tyne, United Kingdom: Cambridge Scholars Publishing, p. 1-12

Research output: Chapter in Book/Conference paperChapter

Names

Mclean, I., 2014, Double desire: Transculturation and Indigenous Contemporary Art. McLean, I. (ed.). Newcastle on Tyne, United Kingdom: Cambrdige Scholars Publishing, p. 15-29

Research output: Chapter in Book/Conference paperChapter

Theories

Mclean, I., 2014, Double desire: Transculturation and Indigenous contemporary art. McLean, I. (ed.). Newcastle upon Tyne, United Kingdom: Cambridge Scholars Publishing, p. 31-42

Research output: Chapter in Book/Conference paperChapter

2013

Inventing Australian Aboriginal art: from anti-art to fine art

Mclean, I., 2013, World Art and the Legacies of Colonial Violence. Rycroft, D. J. (ed.). England: Ashgate Publishing Limited, p. 83-109

Research output: Chapter in Book/Conference paperChapter

2011

Aboriginal Art and the Artworld

Mclean, I., 2011, How Aborigines Invented the Idea of Contemporary Art. McLean, I. (ed.). Sydney, NSW: Institute of Modern Art and Power Publications, p. 17-75

Research output: Chapter in Book/Conference paperChapter

Aboriginal Cosmopolitans: A Prehistory of Western Desert Painting

Mclean, I., 2011, Globalization and Contemporary Art. Harris, J. (ed.). West Sussex, UK: Wiley-Blackwell, p. 147-160

Research output: Chapter in Book/Conference paperChapter

Billy Benn, Outsider Art and Art History

Mclean, I., 2011, Billy Benn. Peattie, C. (ed.). Alice Springs, N.T.: IAD Press, p. 43-68

Research output: Chapter in Book/Conference paperChapter

How Aborigines Invented the Idea of Contemporary Art

Mclean, I., 2011, How Aborigines Invented the Idea of Contemporary Art. McLean, I. (ed.). Sydney, NSW: The Institute of Modern Art and Power Publications, p. 333-345

Research output: Chapter in Book/Conference paperChapter

The Gift That Time Gave: Myth and History in the Western Desert Painting Movement

Mclean, I., 2011, The Cambridge Companion to Australian Art. Anderson, J. (ed.). USA: Cambridge University Press, p. 180-192, 330-332

Research output: Chapter in Book/Conference paperChapter

2009

Bennelong's Gambit: the Aboriginal Invention of Modernism

Mclean, I., 2009, Imagined Australia: Reflections around the reciprocal construction of identity between Australia and Europe. Summo-O'Connell, R. (ed.). Bern, Switzerland: Perter Lang AG, p. 187-199

Research output: Chapter in Book/Conference paperChapter

2008
61 Downloads (Pure)

Aboriginal Modernism in Central Australia

Mclean, I., 2008, Exiles, Diasporas & Strangers. Mercer, K. (ed.). London: Iniva (Institute of International Visual Arts) and The MIT Press, p. 72-95

Research output: Chapter in Book/Conference paperChapter

Open Access
File
2007

Against the Grain: Towards a Natural History of Art and Taste

Mclean, I., 2007, Visual Animals: Crossovers, Evolution and New Aesthetics. North, I. (ed.). Parkside, South Australia: The Contemporary Art Centre of South Australia Inc., p. 51-58

Research output: Chapter in Book/Conference paperChapter

The Expanded Field of the Picturesque: Contested Identities and Empire in 'Sydney-Cove 1794'

Mclean, I., 2007, Art and the British Empire. Barringer, T., Quilley, G. & Fordham, D. (eds.). Manchester and New York: Manchester University Press, Vol. 1. p. 23-37; 361-363

Research output: Chapter in Book/Conference paperChapter

2003
1244 Downloads (Pure)

Figuring Nature: painting the indigenous landscape

Mclean, I., 2003, John Glover and the Colonial Picturesque. Hansen, D. (ed.). Hobart, Tasmania: Art Exhibitions Australia Limited and Tasmanian Museum and Art Gallery, Vol. N/A. p. 122-133

Research output: Chapter in Book/Conference paperChapter

Open Access
File
1 Citation (Scopus)

Landscape and ideology: Picturing Sydney Cove 200 years ago

Mclean, I., 2003, Disputed Territories: Land, Culture and Identity in Settler Societies. Trigger, D. & Griffiths, G. (eds.). Hong Kong: Hong Kong University Press, p. 109-130

Research output: Chapter in Book/Conference paperChapter

2000

John Berger, Ways of Seeing and the new art history

Mclean, I., 2000, What John Berger Saw. Papastergiadis, N. (ed.). Canberra: ANU E Press, Vol. N/A. p. 54-65

Research output: Chapter in Book/Conference paperChapter

One mob, one voice, one land: Lin Onus and indigenous postmodernism

Mclean, I., 2000, Urban Dingo: the art and life of Lin Onus 1948-1996. Neale, M. (ed.). Brisbane, Queensland: Craftsman House, Vol. N/A. p. 41-47

Research output: Chapter in Book/Conference paperChapter